Move the left-hand switch to “modern” while keeping the right-hand switch on “classic”. From warm and classic to modern and aggressive, the V KICK gives you any kick drum sound you need." The Four Horsemen of the Kick Drum sE V Kick Wired Microphone. The V KICK is a perfect mic for recording pop music because of the left-hand “modern” setting. Many of these records were made with kick drums without portholes on the resonant side of the drum. The assortment of kick drum flavors is pretty much infinite. Imagine you have a thick & round-sounding kick like the classic rock records you grew up listening to, and you’re trying to capture that tone in its full glory. Unboxing sE Electronics Drum Mics, Overheads and Ribbons - V Kick, V7X, V Beat, sE8 and VR1 - Duration: 12:19. When using the V KICK in a live setting or on heavy metal tracks, a great starting point is with both the left-hand and right-hand switches on “modern”. But with four different possible EQ configurations and infinite placement options, an unlimited amount of possibilities exist to find your sound. You hardly have to do anything to this kick sound for it to fit in a pop or hip hop mix. Even though these settings were designed for specific types of kick drum sounds, there are no hard and fast rules. - seelectonrics.com. (or, "Making A Kick Drum Tunnel"). Hop Pole Studios 986 views If your kick has a porthole, try experimenting with placing the V KICK outside of the drum, next to the hole. “Classic” provides a more traditional kick drum sound with a familiar low frequency punch and a warmer, more rounded sound. The sE V KICK was designed for just that: the flexibility needed to capture every kick drum sound out there. Two switches on the rear side of the V KICK allow you four different sound settings, great for tailoring the sound for your specific project – and ideal for live shows with multiple bands and short changeovers. "The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. There are muted kicks, boxy and resonant kicks, tight kicks, clicky kicks; if you put a sound sensory adjective in front of the word 'kick', chances are that style of kick exists. There are tons of mics out there specifically marketed to record kick drums but many are designed to only capture a designated range of their sound and tonality. If a more contemporary, aggressive sound is desired, the “Modern” setting emphasizes the low end and high end (a “scooped” sound). © 2020 sE Electronics International, Inc.All Rights Reserved. Important: You can change the rent dates for other materials that you want to rent in the cart. The sE V KICK was designed for just that: the flexibility needed to capture every kick drum sound out there. Kick drums (or bass drums) are one of the most straightforward instruments to mic up, but one of the most complicated instruments to accurately record. The typical placement is positioning it just inside of the porthole. The V KICK's built-in passive EQ system makes it easy to get the right kick mic sound whether you're in the studio or on the road. Whether your desired kick drum sound is soft, aggressive, big, muted, or open-sounding – the V KICK's got you covered. 2020 New Arrival ... and here to stay "The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Tracking Tips: Put a Reflexion Filter On It! These settings were designed to capture specific kick drum sounds and make recording kicks the easiest part of recording drums. This is the standard setting for a more modern rock sounding kit and a good starting point for getting your kick to cut through at live shows without losing low-end 'oomph'. The sE Electronics V Kick is a dynamic microphone with a supercardioid polar pattern and is the most compact and versatile bass drum microphone in its class, a solid and exciting addition to the sE Electronics range. With the right positioning, you can get a very pillowy-sounding kick drum. This gives you a full, punchy low end with a natural-sounding top end. For an even more aggressive sound: while inside of the kick drum, position the mic closer to the beater side of the skin - or place the mic on the other side of the kick pointing towards the beater. This gives you the largest boost in the low end and top end, making it perfect for running through a PA system, or for helping your kick sound punch through a dense wall of heavy, distorted guitars and metal bass. Whether your desired kick drum sound is soft, aggressive, big, muted, or open-sounding – the V KICK's got you covered. Its integrated swivel joint allows for any required mic placement, and its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone. For a little more attack than the “classic rock setting”, keep the left-hand switch on “classic” but try moving the right-hand switch to “modern”. Its integrated swivel joint allows for any required mic placement, and its … The V KICK is the most compact and versatile drum microphone in its class, intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where low-frequency energy is of the utmost importance. Experiment with different settings until you find one that satisfies your vision! This setting is also popular for folk and jazz music because of its more natural, less obtrusive sound. The left-hand and right-hand “classic” switches will give you that warm, rounded sound. A single kick could produce the lowest of the lows, significant presence for its attack to cut through a mix, and a thick lower-midrange that makes up the meat of the sound. “Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded and familiar sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound - ideal for metal and hard rock.

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