The third mic will be a dynamic cardioid microphone for the kick drum. For this technique, position the microphones as you would for the two mic X-Y, again, two cardioid condensers making a 90 degree angle above the kit. The reason is simple enough: The stereo overheads are the closest thing to the drummer’s ears in terms of capturing the natural balance of the kit. Three microphones are ideal for most drumset recording, usually a stereo pair over the kit and a single one on the bass drum. Skip to content. You may decide to place it a few inches from the beater head or you may want it closer to the outside of the drum head. For the overhead mic, place a condenser (set on a cardioid polar pattern) two feet above your cymbals and pointed down at your drum set. The third mic will be a dynamic cardioid microphone for the kick drum. Glyn Johns Shows His Mic Technique 1 - YouTube. For the overhead mic, place a condenser (set on a cardioid polar pattern) two feet above your cymbals and pointed down at your drum set. Here’s a … Do I hear the attack of each instrument, and is the sound clearly defined? As you experiment with and listen back to the sounds captured from the examples discussed here, key in on the stereo field (the spread from left to right) and the detail of the drums and cymbals. Here are other options: Kick, Snare, and Overhead A quick and simple way to setup a drum kit with three microphones would be to simply add a snare microphone to any of the two microphones methods mentioned before. Point the first mic at the snare set about two inches away and directed towards the middle. All Rights Reserved. The first two microphones that we will place will be the snare drum and the kick drum, for both of which we will use a dynamic mic (set to cardioid). Ask yourself a few questions: Do I get a clear representation of the set and a good overall tone? The purpose of this mic is to fill in the kick drum so that it is more apparent and punchy in the drum mix. This article is an excerpt from the April 2015 issue, which can be purchased at here. So far in this series we’ve looked at mixing a drumset with one and two microphones. X-Y Setup plus Kick For this technique, position the microphones as you would for the two mic X-Y, again, two cardioid condensers making a 90 degree angle above the kit. Now we’ll add a third. A third mic is used on the bass drum and sometimes a fourth is used as a spot mic on the snare drum. Episode 82: Clyde Stubblefield, Improving the Double-Stroke Roll, Istanbul Mehmet X-Ray Series, and More, Bon Jovi’s Tico Torres Visits Modern Drummer Online, Part 2, Edgar Winter Band Performs “Frankenstein” on, VIDEO – Tycoon Percussion NAMM Show 2014 New Gear Coverage. By submitting, you agree to receive communications (emails & texts) from Modern Drummer. The second microphone will be placed inside of the kick drum, positioned to your sound preference. Are all of the drums and cymbals balanced? The fewer microphones used, the more responsibility gets placed on a solid, balanced drum take. If something sounds too loud in the overheads, you may want to look at the instruments you’ve chosen and, more important, your playing itself. For more insight into the miking techniques demonstrated in this video, check out the complete article in the April 2015 issue of Modern Drummer, available at here. Place the mic inside the kick … Position 1: Stereo Overheads and a Bass Drum Mic. Otherwise, it would get lost underneath everything else in the final mix, making the drums lose a bit of punch. Receive updates & special offers from Modern Drummer and our advertising partners. Place the mic inside the kick and adjust until you achieve the right amount of bass drum. Three microphones are ideal for most drumset work. Opt out through the unsubscribe link in any marketing email. The third mic will be positioned as a close mic on the kick drum. Even when I’m employing multiple mics, I find myself getting most of the sound from just three, usually a stereo pair over the drums and a single one on the bass drum. Copyright © 2020 Modern Drummer Publications. When miking in this configuration, you are able to prioritize your sound to focus on two drums and capture the remaining ones with an overhead microphone. Drum Miking 101, Part 3: Three-Mic Setups. This approach is also quite versatile. Some engineers measure the distance precisely and pan the mics extreme left and right, while Johns himself used a more instinctive approach with a narrower stereo spread. The bass drum mic just helps fill out the low frequencies. X-Y Setup plus Kick This is a very minimal drum miking technique that yields surprisingly huge sounding results.

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